Circle Jerks & Descendents
$35 ADV | $38 DOS
All Ages Admitted // 21 to drink with ID
Tickets on sale to the General Public – 4/14/23 10am
General Admission Standing – there isn’t a bad spot in the house!
Reserved Balcony seating available for Sherman Theater Members only
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VIP BOX: Sherman Theater Members $545 | Non-Members $625
SKYBOX: Sherman Theater Member $720 | Non-Members $800
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Circle Jerks emerged from the punk underbelly of LA’s South Bay in 1979. After serving as a co-founder and lead vocalist of Black Flag during the recording of its essential Nervous Breakdown EP, Keith Morris joined forces with former Redd Kross guitarist Greg Hetson to form what would become Circle Jerks.
Unlike much of the unapologetic hardcore that seeped through the cracks of American suburbia, the music of the Circle Jerks was thoughtfully steadfast, yet relentless and ferocious in nature. Bringing together a potent, articulate rhythm section with earnest yet oftentimes derisive lyrics and themes, the band was thereafter heralded as a leader of the pack – and a force to be reckoned with. Plowing forward with a relentless, tooth-cutting work ethic and a rousing stage presence, the band would soon find itself headlining shows at LA’s 5,000-capacity Olympic Auditorium. Over the decades, Circle Jerks would release six studio albums, including the acclaimed Group Sex (1980) Wildin the Streets (1982), Golden Shower of Hits (1983), Wonderful (1985), and IV (1987), where they would become a major headliner during the alternative music explosion of the 80’s and 90’s. Morris and Hetson remain the only consistent members since the band’s creation. Bassist Zander Schloss (The Weirdos, Joe Strummer) has been a member since the 1980’s.
The long list of those influenced by the legacy of the Circle Jerks ranges from Butthole Surfers to Red Hot Chili Peppers – with notable fans being Dogtown skateboarders, Chuck Berry, Alice Cooper, Elton John, Johnny Depp, Guns N’ Roses, and Philip K. Dick. Decades later, their music continues to make an imprint on generations of diverse music fans and those who challenge the status quo.
In celebration of the band’s 40th anniversary and the commemorative reissue of their celebrated landmark record Group Sex, Circle Jerks return to the stage for the first time in over a decade.
Since first emerging from (and defining) the Southern California pop-punk scene in 1978, the legendary Descendents have released classic after classic, from their landmark 1982 LP Milo Goes to College to 2016’s Hypercaffium Spazzinate. Now, after issuing a flurry of singles to get fans through the past few years, the band — Milo Aukerman (vocals), Bill Stevenson (drums), Stephen Egerton (guitar), and Karl Alvarez (bass) — will be touring in support of a new album. With a very cool twist.
What started with Milo Goes to College now comes full circle on the blistering 9th & Walnut (Epitaph), a “lost album” quietly recorded in 2002 by the MGTC lineup of Stevenson, Aukerman, Tony Lombardo on bass, and Frank Navetta (d. 2008) on guitar. Audiences should be geared up for shows featuring songs spanning Descendents’ incredible career, from “Suburban Home” and “Silly Girl” to “I’m the One” and “Without Love,” and including 9th & Walnut tracks like first single “Baby Doncha Know” and its incendiary follow-up, “Nightage.”