Sherman Theater Presents

Wednesday 13

All Ages
Saturday, April 19
Doors: 6pm // Show: 7pm
$26 to $106
$26 ADV | $30 DOS (After 5pm on day of show tickets must be purchased at the door)
All Ages Admitted // 21 to drink with ID
Tickets on sale to the General Public – (11/8/24) @ 10am
General Admission Standing – there isn’t a bad spot in the house!
Reserved Balcony seating available for Sherman Theater Members only
For membership information, please contact [email protected]
 
MEET & GREET
Very limited number of Meet & Greet tix available.

Meet And Greet includes-

Ticket 

Pre-show Meet and Greet Photo with WEDNESDAY 13

11×17 tour poster 

VIP Laminate 

VIP BOX: Sherman Theater Members $455 | Non-Members $535
SKYBOX: Sherman Theater Member $585 | Non-Members $665 
FOR INFORMATION ON VIP BOXES AND SKYBOXES, CLICK HERE
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The Duke of Spook has returned once more from beyond the grave to reveal the “NECROPHAZE!” This latest full length offering from the ghouls of WEDNESDAY 13 will be available on September 27 2019 via Nuclear Blast Records. Heavily influenced by the real night terror occurrences of Wednesday himself, historical serial killers & a slew of 80’s horror films, the ideas behind NECROPHAZE are bizarrely familiar, frightening, & a hell of a lot of fun. While still consistently horrifying, this new album certainly carries with it a more humorous sentiment than its gloomy predecessor (and 1st album with Nuclear Blast Records), “Condolences” (2017). Songs like “Bring Your Own Blood (BYOB),” clearly a play off the phrase “bring your own booze,” manage to intertwine opposing ideas of the blood sucking undead w/ a teenage house party. “In every 80’s horror movie there’s always a party,” Wednesday chuckles, “so we wanted to get that vibe. The title made me laugh so we wrote a song that’s sort of a more violent ‘Monster Mash.’” The 1st single “Decompose,” which was initially written by drummer Kyle Castronovo, and was also the first song/demo brought to the table, is like a catchy anthem for the idea of “I know you’re dead, but I really wish you could be deader.”

Recording & mastering by Michael Spreitzer; producer, engineer, as well as the long time guitarist of DevilDriver. Dropping just in time to enjoy on Halloween, creepsters of the night, prepare yourselves, to ENTER THE NECROPHAZE.
From euphoria to despair, Dead Rabbits' new album 'A Different Place' – the Southampton-based first album since 2016's 'Everything Is A Lie' – takes you on a journey through the ups and downs of the day-to-day. Over three years of cancellations, disappointment and disillusion, global events made the album's creation more difficult than anyone could've imagined. All hurdles overcome, Dead Rabbits' fourth studio LP sees them return with their own brand of heavy-hitting psychedelic rock. From soft velvet sounds to the raw and explosive, electronic undertones supplement a wall of guitars. On 'A Different Place', vocalist and guitarist Tom Hayes says: "I wanted to create an album that takes the listener somewhere else. Musically I wanted to create something that captures how we as a band actually sound. But within that, each song tells a different story and the music compliments them. I took a reflective look into my mental health. Highlighting just how fine the line is between successes and failures. Typically, external words and actions encourage a greater positive outcome. That's how it works for me, hopefully listeners can feel where I'm coming from."
"Listen to the lyrics, they're going to make you feel something... " - Mixi

That something is the essence of Stitched Up Heart - a band built around the strength that comes from realizing we are the only ones that control our lives, and focused on the hope that reminds us there is always light at the end of the darkest tunnel. It's something heavy and powerful, and it is something undeniable - Mixi's voice taking flight amidst anthems of self-awareness that bridge the unrelenting confidence of In This Moment's Maria Brink and the soulful transcendence of Adele.

"When I formed this band I was depressed and going through heartbreak. The name is supposed to give people strength and courage," professes the frontwoman in a warm and certain tone. "We all go through things that make us think we can't go further but, especially when times are bad, I want people to see that time will pass and it will get better. The hopeful lyrics on this record are on purpose - I've been living in the dark for too long, it's time to come into the light. You need to pick yourself up because nobody is going to do that for you. There are some sick people out there, but there is beauty in everyone - and you need to love yourself before you can stitch that heart back up."
I Ya Toyah is not a musical act, she’s a movement. Her music embraces the inner darkness.

In just a few short years, this Chicago area phenom has released several critically acclaimed recordings, organized the creation of multiple award-winning music videos, and toured the United States multiple times.

When spoken out loud in her native Polish, the words “I Ya Toyah” translate to “It’s just me.” These simple, but powerful words act as an unwavering mission statement that guides every aspect of Ania Tarnowska's career as a musician, singer, composer, producer, remix artist, and performer.

I Ya Toyah effortlessly combines elements of industrial, pop, electro, darkwave, and alternative rock into a unique aural tapestry that acts as the perfect backdrop for her intensely personal lyrics; but it’s the power and versatility of her voice that has the music industry talking. Her potent vocal performances effectively deliver a message that is modern, relatable, and speaks to the paranoia of everyday reality.

'Writing about human condition helps me cope with some of the unresolved emotions. Creating music is a form of a therapy for me but mostly, its a hope for connection with all of you who feel familiar discomfort’
Metalcore project of Escape The Fate’s Craig Mabbitt w/ Erik Jensen, Blake Bailey & Colton Westerman
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