Baroness

Grammy-award nominated heavy rock outfit Baroness mark their much-anticipated return with new album, STONE. Their sixth record overall and third released via Abraxan Hymns, STONE finds the Philadelphia-based quartet of John Baizley (guitars/vocals/illustration), Gina Gleason (guitars), Nick Jost (bass), and Sebastian Thomson (drums) streamlining the momentous multi-genre vocabulary of its critically-acclaimed predecessor Gold & Grey (2019). This is still very much Baroness—just refocused for efficiency and rethought as a consequence of stability. STONE’s most prominent tracks, “Last Word,” “Beneath the Rose,” “Shine,” and “Anodyne,” reflect thoughtfully, groove deeply, and refract tumult effortlessly. They, of course, rock. “An important through line in Baroness is we don’t like to repeat ourselves,” says founding member John Baizley. “It’s all about the willingness to take risks. When I was younger, the whole point of music was to be different, to find fresh risks and exciting ideas to explore, and to follow your own impulses rather than play by the rules. That’s kind of goofy, but in practice, it works. It’s really sort of terrifying to be at the sixth record in your career and think that you’ll have to keep up with your history rather than continually invent. So, we doubled down on continuously inventing to see where it takes us. I think this record is a good reflection of that. STONE is a lot more alive, more direct.”